Current Exhibitions, Press and Talks
Whispering Colour at Bo Lee Gallery
Artists Talk 12 July. 6.30-8.00pm
Sue Arrowsmith | Michelle Benoit | Rosalind Davis | Susan Gunn | Dolly Kershaw | Philippa Lawrence
Exhibition continues 29 June - 19 July
222 Rye Lane, London, SE15 4NL | 020 3302 6440 | firstname.lastname@example.org | www.bo-lee.co.uk
Whispering Colour asks us to examine our learned and automatic responses to an inferred value system of colour and the essence of natural materials. Unified in their poetic commentary, and considered in their quest for harmony, these six artists make work that is lyrical and evocative in its aesthetic.
An engagement with natural materials is found in the works of Susan Gunn, Philippa Lawrence and Sue Arrowsmith is contrasted with the synthetic structures of Rosalind Davis, Michelle Benoit’s colour-coded histories in resin and artificial aquarium gravel used by Dolly Kershaw. This dichotomy between holding or relinquishing control is further explored in the processes and materiality of the works. While some artists induce nature’s course, others trace it with a perseverance that alludes to the limitations of traditional tool or medium.
Artists Professional Development
Thrilled to be working for @an_artnews again as a mentor on their bursary supported programme 2018 along with 4 other great mentors! Deadline 23.7.18. It's free to apply once you are an a-n member & we know it's made a huge difference to artists who have been on previous programmes.
Please apply / spread the word!
no format gallery, Arch 29 Rolt St, London SE8 5JB
Rosalind Davis and Justin Hibbs in collaboration.
Preview: Thursday 20th September 5-8.30pm
Open 2-7pm: Friday 21st - Sat 22nd and Fri 28th - Sat 29th September. Or open by appointment.
Saturday 29th September Closing event - Artists in Conversation with guest speakers 6-8.30pm.
‘Artistic production is nodal, networked, and a perpetually unfinished project, things nudging each other, domino effects transpiring. The real-world analogue of this is that in an artist’s studio, it’s always a transitional moment: the detached artwork as standalone statement is a falsity, a piece of theatre. In reality, one thing leads to another, all kinds of ambient forces shaping what’s made’ (Martin Herbert from the text ‘Between Before and After’ to accompany Justin Hibbs Exhibition ‘Alias Re-Covered’ Carroll/Fletcher 2015).
More info here. Link text here...
Curated by Tim Ellis and Kate Terry
Exhibition Dates: 2-24 June 2018
Thames-Side Studios Gallery
Trinity Wharf Studio TW27, Harrington Way, Warspite Road, Royal Borough of Greenwich, London SE18 5NR
Salvatore Arancio, Vasilis Asmakopoulos, Andy Bannister, Olivia Bax, Dominic Beattie, Katie Bethune-Leamen, Gabriel Birch, Hannah Birkett, Simona Brinkmann, Daryl Brown, Hannah Brown, Bettina Buck, Stewart Cliff, Clare Burnett, Matt Calderwood, Lotti V Closs, Benjamin Cohen, Gary Colclough, Katie Cuddon, Blue Curry, Rosalind Davis, Alexander Devereux, Dexter Dymoke, Tim Ellis, Brian Griffiths, Lilah Fowler, Holly Hendry, Justin Hibbs, Fred Hunt, Andrea Jespersen, Paul Johnson, Evy Jokhova, Ana Kazaroff, Vera Kox, Lucy LeFeuvre, Alan Magee, Eva Masterman, Ian Monroe, Rupert Norfolk, Roula Partheniou, Harrison Pearce, Hamish Pearch, Mark Pearson, Chris Poulton, Frances Richardson, Michael Samuels, Alex Scarfe, Zoe Schoenherr, Amy Stephens, Karen Tang, Kate Terry, Finbar Ward, Elaine Wilson, Sarah Kate Wilson, Andrea V Wright, Ben Woodeson
The term relic is used to describe something that has survived the passage of time, especially an object or custom whose original culture has disappeared, but also an object cherished for historical value such as a keepsake or heirloom……
New Relics presents a diverse range of contemporary positions in sculpture from a cross generational group of international artists. The exhibition demonstrates the multiple directions and potentials of sculpture and how it is continually shifting and being reinterpreted. The themes and concepts illustrated show the depth of the medium and the alluring power of materials to conjure new meanings and interpretations. New Relics is an opportunity to engage with these potentials that have come to encapsulate, and exist within, the definition of Sculpture.
Thames-Side Studios Gallery open Thursday-Sunday 12-5pm during exhibitions and by appointment.
ASSEMBLAGE INTERVIEW WITH ROSALIND DAVIS
Megan Elliott, December 2017
Rosalind discusses art, art education, exhibitions, Collyer Bristow Gallery. What They Didn't Teach You In Art School and advice for artists
Read the in depth interview here.
Secondary Structures. Wall Street International Article
Definitely Uncertain Sculpture
by Jillian Knipe
An article about Rosalind Davis' work as Curator and Artist, Andrea Madjesi-Jones, Silvina Soria and Andrea V Wright.
"These four artists broaden what was once referred to as "form" into "formation". From a singular shape to an emergence of bringing something or some things into existence. As a result, their work becomes a little more difficult to interpret than their predecessors but is all the more liberated and democratic for it. They have progressed from the mantra of the minimalists who insisted on dealing with only what was in front of them, or, in the words of Frank Stella, 'what you see is what you see', to acknowledging the body, the present.unseen and personal histories. These are all arguably and equally what is there in the moment alongside the materials for making...
Rosalind Davis also observes this tension between the personal and the order, beginning with a focus on public housing. Aside from her curatorial work, she is a published author and an artist in her own right. Her practice has developed from an exterior view of buildings to stepping inside the room and exploring the space within. 'Haus Constructiv' 2017 is a modular structure of steel, perspex and thread. It plays off last century's constructivist and concrete artists to create a transformative piece which looks to fold, shift, disassemble, lean and reconfigure itself with endless possibilities. Rosalind relates this to her earlier paintings of brutalist and modernist buildings as if she's 'taken the structure and pulled it out and turned it into a sculpture'. Read the full article here
Rosalind Davis talks about the process and ideas behind her work in Make_Shift at Collyer Bristow Gallery with dateagleart.
Art Side of Life Interview on YouTube
Davis talks about her art education and subsequent career as an artist and curator, fab mentors and collaborations, time, organisation, valuable experiences and exhibitions and great advice she was given... and building your own art world...watch it here.
Book now available!
‘What they didn't teach you in Art School'
written by Rosalind Davis and Annabel Tilley
What They Didn’t Teach You in Art School:
Rosalind Davis and Annabel Tilley (Octopus Books)
A comprehensive introduction to how to survive and succeed as an artist, artist-curators Rosalind Davis and Annabel Tilley have created an easy to use guide that draws on the advice and experience of over 30 contributors, including artist and a-n contributor Alistair Gentry, curatorial duo Day+Gluckman, and painter Graham Crowley.... what is new and hugely worthwhile is the way they have been brought together in a practical and accessible format. There’s much here that will be helpful for artists starting out, and possibly some useful tips for more established practitioners too.
Chris Sharrett, a-n.
' Essential Reading for Artists' The Observer.
'What they didn't .....' reads beautifully. It's thankfully free of jargon and there's also no arts-speak - that's not only refreshing but essential in a book designed to demistify and enable. The style is both accessible and intelligible. The balance of lucidity and (raw) information is a hell of an achievement. The 'voice' of the writer(s) is authoritative and generous. Instead of dictating to the reader you offer them a range of strategies. I was very glad to see that you've avoided giving undue credence to the business of celebrity, 'success' and fame. Your book allows the reader to address their needs in a purposeful and intelligent manner. I also enjoyed the way in which you've managed to encourage the reader to reference their own values and needs. You've resisted the temptation to impose a template.'
Order your copy here
Also available in the Tate, the Barbican, Waterstones, Saatchi Gallery, ICA, Baltic, National Gallery at Guardian Books and many more